anita gopal
Educational Qualifications
Professional Experience
Solo Exhibitions
Group Shows
Anita's work developed from figurative painting to mixed-media collage. Most recently she has invented a style she calls Fractism: cut paper relief on paper or canvas and boxed in wood and glass. Her idea is based on fractals, a mathematical discovery, made by Benoit Mandelbrot, of a geometric pattern that is repeated at every scale and so cannot be represented by classical geometry. Through fractals Anita expresses her personal view that all things are connected and that everything in nature repeats and reflects itself. Her forms are both organic and abstract.
In 1998 Anita's photograph was used in an artwork titled The God-look-a-like Contest by Adam Chodsko. It was shown in the Sensation exhibition at the Royal Academy of Art in London. The exhibition was the cause of much controversy around the world. The artwork is owned by Charles Saatchi.
Anita presently resides and has her studios in both London and Kolkata.
At college I was influenced by William Coldstream an English painter. I painted from the model. The system was based on the philosophical idea of logical positivism. After college I lost faith in the idea.
I visited India for the first time since childhood. I met David Hockney. He told me to do whatever interested and delighted me. This was a huge release for me.
My painting changed into abstracted figurative composition. I used different viewpoints
like Cezanne, local colour like El Greco and rhythms like Delacroix.
After this my pictures developed into mixed-media collage and became more abstract.
Eventually I gained my style which is cut paper relief. It is completely abstract. I call my
style 'Fractism' after my discovery of repeating and reflecting patterns in nature which
scientist Mandelbrot called fractals.
This is the discovery that all things are connected and that fundamentally there is no chaos.
I came to this conclusion after I travelled all over India and saw life being lived today as for
centuries if not thousands of years.
Mandelbrot discovered that indeed even in seeming randomness like cloud formation or
branches in trees there is pattern.
My pictures are a balancing act in effect as I shift and move around shapes until I am happy
with them. All my forms are cut from magazines and papers.
I then twist and turn paper into 3-D shapes. The shapes are glued onto paper or canvas and
then boxed.
Basically my style has evolved out of my philosophy though I say this with trepidation as I do not believe the best art comes out of theory nor rationalization after the event.
MULTIPLYING THE GLOBAL?
Fractals, glamour, and the art of Anita Gopal
Dr Natasha Eaton UCL Download PDF